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Yellow highlighted areas contain hidden images embedded in the painting.
This painting was done at a time when Abba Father said I was released to paint portraits, and that I should begin with my own.
On the right side, in the background above my left shoulder, the image of the head of a female lion appeared. This really pleased me, as I’ve known for years that I am a Daughter of the Lion. I began to wonder if this would be a hallmark of the portraits I would do - that each one would somehow incorporate a symbolic image of the person’s true identity.
In this painting, as well, I was listening to Holy Spirit on which colors to apply where, and when, and how. The background and the design of the top I’m wearing were a real stretch for me, because they are done without the extreme perfectionism of my own personality, but yet exactly as I was shown, one step at a time. In this listening and careful application, I suddenly saw all kinds of images begin to appear!
This painting will also stand for all of my life as evidence of one of the hardest lessons I have so far had to learn during this painting discipleship. You see, before I saw the prophetic images the Lord had created in the dark top, I got impatient. He had shown me where to put each color as He had been doing with other paintings. I wanted more gold in this one. I wanted it more balanced in my own eyes. I knew that I was not listening to Him even as I smeared a swath of paint across the bottom left corner of the canvas. I casually shrugged off the guilt of my disobedience. Later, when He began to reveal the images to me, I saw the battered face of my crucified Lord on that side of the painting. His brow bone with a nick from a cruel thorn, His swollen eyelids, His broken nose… and an ugly smear across where His mouth would be. My ugly smear that I was so sure would bring ‘balance’ to the painting. It is a constant reminder to me when I see with amazement all the creatures He put into this painting. Now my heart’s desire to hear Him and to obey are more fervent than ever. More and more, I want His work to come forth through me, and not my own feeble attempts to make something happen.
I was asked recently whether I would always only do “religious” pictures. The short answer is that I don’t know. The longer answer includes my abhorrence of that word “religious”, and that I am in relationship with the Living God Who created all that is, seen and unseen; and I live to glorify Him. It’s my hope and prayer that whether I am drawing a still life of flowers, doing a landscape, photographing beloved family members, or painting or doing some other creative thing, that I will do it all for the glory of the Lord Jesus Christ, and so that others may know this wonderful God Who has shown Himself to me!
Hidden Image Descriptions:
Box 1 (lower left of the painting)
From right to left are an owl face, an antelope head, a calf's face with one ear up and one ear down, and Jesus' face both frontal and in profile. There is also a comic lion cub perched on my shoulder. (I did add three brush strokes to him to make him easier to see.)
Box 2 (right bottom side)
Aside from the lioness face, there is also a fox face by her cheek, a full profile of a rearing Ming horse, and the top of a wolf's head just barely peering over the edge of the canvas. Above the lioness is a prophet yelling in my ear. At least, to me he looks like he's yelling!
Box 3 (top right edge of the painting)
There is the full image of a Cheshire looking cat, smiling back over his shoulder, with his long tail hanging down the side of the canvas.
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